内容摘要：Jee denied the allegations, saying that like many ordinary people he enjoys “samgyeopsal,” grilled pork bellies, and “somaek,” shots mixing beer and the traditional Korean liquor soju.

Jee denied the allegations, saying that like many ordinary people he enjoys “samgyeopsal,” grilled pork bellies, and “somaek,” shots mixing beer and the traditional Korean liquor soju.

“I was kind of worried that I blew it,” says Cera, “that I missed the chance to sneak in.”But even though Anderson and Cera didn’t work together until “The Phoenician Scheme,” they developed a relationship. Cera, who aspires to write and direct his own films, would send Anderson scripts for feedback. “We became friends,” says Cera.

“In the case of this movie, it was everything short of written for him,” Anderson says. “As soon as we had the idea of the character, he was the guy who (cowriter Roman Coppola) and I started talking about. I think we talked to him about it before there was a script or anything.”“It seemed like it had already happened,” adds Anderson. “And it was a very good fit, a natural thing.”Cera quickly adapted to Anderson’s unique style of moviemaking, in which the cast collectively stay at a hotel, begin the morning in makeup together and remain on set without trailers to retreat to. “At first, you’re kind of exhausted,” says Cera. “At the end of the first day, you go: OK, I need to eat a bigger breakfast.” As the production went along, Cera often sat right next to Anderson to watch him work.

One very notable characteristic of Bjørn is a Norwegian accent. If there’s anything more fitting than Michael Cera being a Wes Anderson movie, it might be Michael Cera doing a Norwegian accent in a Wes Anderson movie. It’s also a bit that, in “The Phoenician Scheme,” has a touch of spoiler to it. Cera calls it “sort of a jaunty, playful representation of an accent, not purporting to be a home run.”“When I brought up the accent to Wes, I said, ‘How should we go about this accent?’” Cera say. “He was kind of caught of guard. I think he hears the movie in his head and maybe hadn’t figured that in. It was something Wes had to compute.”

As Anderson describes it, Cera was determined. “I, at a certain point, was a little reluctant, like, I don’t know if we need it,” says Anderson. “He was like: ‘No, let me show you what I’m going to do.’”

A determination in absurdism has long marked Cera’s best performances. Though a private person who has resisted all urges to get a smartphone, Cera is remarkably fearless when it comes to the most awkward moments. It’s a seriousness of purpose that, whether singing “These Eyes” in “Superbad” or waving hello as Allen inmeant a lot of brand-new homewares weren’t getting made or sent to market, so upcycling stuff we had or found became hobby, and often necessity.

If you could find a great credenza at a flea market or online reseller that just needed a little TLC, why not?Not too long ago, decor trade shows would include a handful of studio labs offering reclaimed wood items and organic textiles. Today, at global fairs like Ambiente in Frankfurt, Salone in Milan and Paris’ Maison et Objet, hundreds of companies show new design made with environmental and social impact in mind. Fair trade manufacturing.

like hemp, bamboo and cork. Cushions made of soy-based foam instead of petroleum-based foam. Recycled glass and metal accessories.Mid 20- and 30-somethings are seen as drivers of the slow design trend. TikTok and Instagram feeds are full of refinish-and-reveal videos, and modest abodes full of found treasures.